19/12/2022

Bellflower (unused)

I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. More at jeremysaunders.com
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19/12/2022

The Bet

I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. More at jeremysaunders.com
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19/12/2022

Beyond the Known World

I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. Have my doubts about the scale on this one. More at jeremysaunders.com
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19/12/2022

Birthday

I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. Blasphemy! Also seem to have lost the credit block. More at jeremysaunders.com
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19/12/2022

Blood Orange

I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. More at jeremysaunders.com
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19/12/2022

Blow-Up

I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. Created for some book that never appeared. More at jeremysaunders.com
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19/12/2022

Blue teasers (unused? Maybe)

I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. More at jeremysaunders.com
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19/12/2022

Low Life

I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. More at jeremysaunders.com
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19/12/2022

A Bit of Black Business

I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. I think this might have been the first title I did. More at jeremysaunders.com
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19/12/2022

Boy version A

I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023.  Largely indistinguishable from the original, if memory serves. More at jeremysaunders.com
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07/12/2022

Jeremy Saunders 20th Anniversary 2003-2023

It’s been 20 years since I started creating key art and titles for films and TV. To celebrate I’m going to post a different piece of work from my archive every single day during 2023. In the meantime, here’s a headache for you.
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13/01/2020

Selected Clients

Streaming & Broadcast Netflix • Showtime • Stan • Australian Broadcasting Corporation • SBS Distribution Roadshow • Warner Brothers • Sony Pictures • Paramount • Transmission • Madman Films • EOne • Rialto • Icon Films • Dendy Films • Curious Film • Kojo Pictures…
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26/07/2018

Manifesto

The world of key art has changed. Not just physically, with a shift away from printed artwork to screen-based images, but also in terms of the nature of key art itself, and what it represents. It’s still the most concise and direct window into the…
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26/07/2018

Internships, Employment & Mentoring

Internships Nope. In addition to largely being scams whereby employers exploit enthusiasm in exchange for very little actual ‘work experience’ (especially, you know, the being paid bit), internships particularly disenfranchise folks who are without the benefit of wealthy support networks. So we don’t do internships.…
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26/07/2018

About Jeremy

I grew up in a tiny village tucked away in the heart of the Cotswolds, in the west of England. Trips to the cinema felt rare and were much cherished. There was a more regular source for my passions, however. I’d often see key art…
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26/07/2018

Ethics Policy

Through our work, each of us have the opportunity and the responsibility to put our system of basic values into action — to model the behaviour that we want to see in the world. Creating these designs, I believe have ethical responsibilities to: the client…
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30/05/2017

A Landscape of Fear

This article was originally written for The Territories in 2015. The Sum Total of my Understanding of the Australian Landscape Prior to my Arriving in Australia I’m, what, seven years old. The slowly-forming bush paintings of Rolf Harris as painted during his 1970s heyday Rolf…
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24/08/2015

MIFF Talking Pictures

Here’s a short excerpt from the panel I took part in at this year’s Melbourne International Film Festival, talking with some fellow travellers about the current state and future of movie poster design.
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24/08/2015

Screen Director podcast interview

Here’s an interview with me rattling on and on about key art design, working with directors and the current state of both key art and Australian movie marketing in general over at the Screen Director podcast. You can access it here (it does last an…
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18/07/2013

Desktop Magazine #295

In this month’s physical paper issue of Desktop Magazine I’m interviewed about the nature of key art in Australia, and how our identities and sensibilities shape the key art we produce. 2009, I think; I’ve found the answers I sent in, and copied below. Desktop…
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