I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. More at jeremysaunders.com
I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. Have my doubts about the scale on this one. More at jeremysaunders.com
I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. Blasphemy! Also seem to have lost the credit block. More at jeremysaunders.com
I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. More at jeremysaunders.com
I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. Created for some book that never appeared. More at jeremysaunders.com
I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. More at jeremysaunders.com
I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. More at jeremysaunders.com
I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. I think this might have been the first title I did. More at jeremysaunders.com
I’ve been creating key art and titles for 20 years and to celebrate I’m posting a different piece from my archive every single day of 2023. Largely indistinguishable from the original, if memory serves. More at jeremysaunders.com
It’s been 20 years since I started creating key art and titles for films and TV. To celebrate I’m going to post a different piece of work from my archive every single day during 2023. In the meantime, here’s a headache for you.
Streaming & Broadcast Netflix • Showtime • Stan • Australian Broadcasting Corporation • SBS Distribution Roadshow • Warner Brothers • Sony Pictures • Paramount • Transmission • Madman Films • EOne • Rialto • Icon Films • Dendy Films • Curious Film • Kojo Pictures…
The world of key art has changed. Not just physically, with a shift away from printed artwork to screen-based images, but also in terms of the nature of key art itself, and what it represents. It’s still the most concise and direct window into the…
Internships Nope. In addition to largely being scams whereby employers exploit enthusiasm in exchange for very little actual ‘work experience’ (especially, you know, the being paid bit), internships particularly disenfranchise folks who are without the benefit of wealthy support networks. So we don’t do internships.…
I grew up in a tiny village tucked away in the heart of the Cotswolds, in the west of England. Trips to the cinema felt rare and were much cherished. There was a more regular source for my passions, however. I’d often see key art…
Through our work, each of us have the opportunity and the responsibility to put our system of basic values into action — to model the behaviour that we want to see in the world. Creating these designs, I believe have ethical responsibilities to: the client…
This article was originally written for The Territories in 2015. The Sum Total of my Understanding of the Australian Landscape Prior to my Arriving in Australia I’m, what, seven years old. The slowly-forming bush paintings of Rolf Harris as painted during his 1970s heyday Rolf…
Here’s a short excerpt from the panel I took part in at this year’s Melbourne International Film Festival, talking with some fellow travellers about the current state and future of movie poster design.
Here’s an interview with me rattling on and on about key art design, working with directors and the current state of both key art and Australian movie marketing in general over at the Screen Director podcast. You can access it here (it does last an…
In this month’s physical paper issue of Desktop Magazine I’m interviewed about the nature of key art in Australia, and how our identities and sensibilities shape the key art we produce. 2009, I think; I’ve found the answers I sent in, and copied below. Desktop…
The Social Network, Neil Kellerhouse, 2010 In advertising I don’t think you can be disingenuous at all. With social media and the speed of communication you have to be really honest and up front about what you have with your property and be true to…