Here’s an interview I did with Matt’s Movie Reviews about the Antichrist poster.

Architect of Evil: Interview with Jeremy Saunders (2009)

“Regardless of whether it’s a physical poster, a graphic on a web page or a DVD cover, it’s still the most direct shorthand we have to describe the world of the film,” he says. “I don’t think that’s going to go away. At least I hope not because, you know, I’m crap at designing letterheads.”

Interview is here. (2009)

Still, it got me thinking about some of my favourite posters this year, and seeing as three of them have been for the same film – Lars von Trier’s Antichrist – I thought I’d investigate further, and talk to some REAL experts (i.e. not you) about how Antichrist was sold around the world.

An interview with a number of designers about our Antichrist posters. Truly the campaign that wouldn’t die, somewhat appropriately. Click here.

Jeremy Saunders arrived in Sydney from the UK in 2000, and has been working as a Key Art Designer on many of the big Australian films since. Designing posters for Candy, Little Fish, Suburban Mayhem, Macbeth and most recently for Samson & Delilah.

Interview is here. (2009)

From self taught deviant Artist, to producing posters for some of Australia’s biggest films, Jeremy Saunders lets us inside his mental space. Be warned; Photoshop and LE are mentioned in the same sentence!

Interview is here (2007)

Jeremy Saunders is one of the best key art designers in the Australian film industry, and has designed posters for Suburban Mayhem, Candy, Little Fish, Romulus My Father, The Square and most recently contributed to the art for Dying Breed. Using his poster for The Square as a template, he tells Simon de Bruyn why it’s hard to always get it right.

Interivew is here, in all its billious glory (2008)